Deborah Kruger

Accidentals: The Story of Randomness in Art-making

In a recent artist interview in the Textile Curator blog, the curator asked how long a piece took to complete. There was really no way to answer but the story behind Accidentals is a good case in point.

Two years ago I pinned up about 90 sheets of my silk screened plastic sheets onto a wall in my studio. It looked like a crazy quilt. I had an idea about making an oversize artist book. It was interesting but not extraordinary.

Community of Women

My Mexican Studio Assistants-
Although I have studios in Durham, NC and Chapala, Mexico, most of my production work takes place in Mexico. Due to the vast difference in pay scale, I can afford to employ a team of Mexican women to fabricate my feathers.

Wandering in the Desert

Every summer I jury a couple hundred applications for the 360 Xochi Quetzal Artist Residency Program. One note I frequently write on applications: work and statement both strong but not integrated. One day I snapped to attention because I realized that my pieces were guilty of this too.