I am starting to weave again!
Returning to my FIT textile roots When I studied Textile Design at FIT in New York, I learned to weave—alongside many other techniques that still shape my artwork today. After graduation, I became a wallpaper designer, with silk screening being an important skill for testing designs and colors. Now, as an environmental fiber artist, I […]
Deborah Kruger’s Corona de Plumas
Unpacking the evolution of a piece Corona de Plumas is a one-of-a-kind piece that evolved in an unusual way. The crown of this piece is evocative of feathered ceremonial objects used by indigenous peoples of the Amazon. However, this wasn’t my intent. Initially, the crown was facing downwards and was designed to cover a large […]
UPLIFT: Helping the Women of Mexico through Art
Before I tell you about all the wonderful Mexican women I work with, let me set the stage by telling you a little about me. When I was young, I spent many weekends making clothing from scratch with my mother, her twin (my Aunt Shirley) and my cousin Ellen. We worked in teams cutting out […]
BLACKBIRD: The Making of an Environmental Mural
For the last six months I have been screen printing thousands of feathers from black recycled plastic in preparation for starting a new series of black pieces. Blackbird is the first piece in this new collection and the fourth environmental mural that addresses the steep plunge in bird populations around the world as a result […]
The Making of Broken
Using Ceramics to Tell the Story of Endangered Birds Drawing and research about endangered birds is the cornerstone of my environmental art practice. I created my first portfolio at an artist residency in 2016 at La Porte Peinte Centre Pour les Arts in the tiny medieval village of Noyers-sur-Serein, France, about four hours south east […]
Horsehair and the process of waiting
Box of horsehair! Lucky Me! Many years ago, I had a studio at the Arts & Industry Building in Florence, Mass. There were over 70 artist studios and small businesses tucked into this old brush factory. One of my neighbors on the fourth floor was a fellow who restored violin bows. Violinists from around the […]
Archivo Grafica Printmaking Studio in Mexico City welcomes me with open arms
One of my new artist friends is Ana Lopez-Montes who I met through the Art Lab virtual residency at PRPG.mx. She is also the studio manager for Archivo Gráfica, a printmaking studio that has been located in Roma, in downtown Mexico City, for the last 30 years. To be honest, when Ana started to urge […]
Relationship between drawings and artwork
Drawing and research are the basic building blocks of my art practice. Let me take you through the process so that you can see how the drawings and my art are completely intertwined. My work entails a lot of research. I read about birds that are endangered by habitat fragmentation, climate change, extreme weather events […]
Why White? My ongoing white series
“…sometimes, like meditating, I need to visually take a breath. After every two or three richly colored pieces, I need to make a piece in white.” I love color. Deep, saturated color that elevates your heart rate. Most of my work over the years has been done in earth tones and rich jewel tones. But […]
The Making of Ropa Blanca
I have just finished my first huipil-inspired piece titled Ropa Blanca. Many of my pieces gestate for a long time and Ropa Blanca was no exception. Like in my piece Kimono, I used the huipil, a traditional women’s blouse, as my inspiration. The references included images of Frida Kahlo’s clothing that are now on view […]